![]() ![]() Jabari befriends Tantor, and they bond over their fear of things however, when Jabari says that the African Violet causes an elephant to go rogue, Tantor is convinced he is a rogue, and even more so after Mabaya stampedes through the jungle, causing him to run away. Jabari learns that the flower doesn't make an elephant go rogue, and Tarzan has gone after Mabaya, finding himself no match for the rogue elephant. Tantor must overcome his fears to help both his friend and the jungle. Frank Welker as Mabaya, Nuru and SheetaĮntertainment: Disney Adventure Friends Cavalcade.One Man's Dream II: The Magic Lives On!.The Forest of Enchantment: A Disney Musical Adventure įirework: Believe.Project Manager, 2020-2021.She published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum HistoryĬonference (2020), and the Digital Humanities Summer Institute’s Project Management Kate LeBere completed her BA (Hons.) in History and English at the University While her primary research focus was sixteenthĪnd seventeenth century England, she completed her honours thesis on Soviet balletĭuring the Russian Cultural Revolution. During her time at MoEML, Kate made significantĬontributions to the 15 editions of Stow’s Survey of London, old-spelling anthology of mayoral shows, and old-spelling library texts. The MoEML’s first Project Management Manual and quickstart guidelines for new employees and helped standardize the Personography and Bibliography. She is currently a student at the University of British Columbia’s iSchool, working WARDEN GUSO MANUAL Janelle Jenstad is Associate Professor of English at the University of Victoria, Director On her masters in library and information science. She has taught at Queen’s University, the SummerĪcademy at the Stratford Festival, the University of Windsor, and the University of Of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. Reformation, Journal of Medieval and Early Modern Studies,Įarly Modern Literary Studies, Elizabethan Her articles have appeared in Digital Humanities Quarterly, Renaissance and Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If She has prepared a documentary edition of John Stow’s A With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media ( Routledge). Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Modern Studies and the Digital Turn (Iter, 2016), Teaching Early ModernĮnglish Literature from the Archives (MLA, 2015), Placing Names:Įnriching and Integrating Gazetteers (Indiana, 2016), Making Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early In Early Modern England (Ashgate, 2007), New Directions in the Othello (Modern Language Association, 2005), Performing Maternity Studies (Arden/Thomson Learning, 2005), Approaches to Teaching The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Modern Society (Brill, 2004), Shakespeare, Language and the Stage, Her bookĬhapters have appeared (or will appear) in Institutional Culture in Early Theatre, Shakespeare Bulletin: A Journal of PerformanceĬriticism, and The Silver Society Journal. With a memoriall of those famouser acts of charity, London contayning the originall, increase, moderne estate, and government of thatĬity, methodically set downe. As also all the ancient and moderne monuments erected in the churches, Which for publicke and pious vses have beene bestowed by many worshipfull citizensīenefactors. Begunne first by the paines and industry of Iohn Stovv, in the Not onely of those two famous cities, London and Westminster, but (now newly added)įoure miles compasse. Afterwards inlarged by the care and diligence of A.M. ![]()
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